Release Date: Nov 23, 2011 RealD 3D
Rated: [Rated pg] mild thematic material, some action/peril and smoking
Runtime: 2 hr. 6 min.
Genres: Action/Adventure, Sci-Fi/Fantasy
Director:Martin Scorsese
Cast:Ben Kingsley, Sacha Baron Cohen, Asa Butterfield, Chloƫ Grace Moretz, Ray Winstone. FULL SYNOPSIS
Martin Scorsese's adaptation of Brian Selznick's award-winning novel The Invention of Hugo Cabret stars Asa Butterfield, as an orphan boy who lives in a Parisian train station. Sent to live with his drunken uncle after his father's death in a fire, Hugo learned how to wind the massive clocks that run throughout the station. When the uncle disappears one day, Hugo decides to maintain the clocks on his own, hoping nobody will catch on to him squatting in the station.His natural aptitude for engineering leads him to steal gears, tools, and other items from a toy-shop owner who maintains a storefront in the station. Hugo needs these purloined pieces in order to rebuild a mechanical man that was left in the father's care at the museum -- the restoration was a project father and son did together.When Georges (Ben Kingsley), the old man who runs the toy stand, catches on to the thievery, he threatens to turn Hugo over to the station's lone police officer (Sacha Baron Cohen, who makes every effort to send any parentless child in the station to the orphanage. But Hugo's run-in with Georges leads to a friendship with the elderly gentleman's goddaughter, Isabelle (Chloe Grace Moretz), who unknowingly possesses the last item Hugo needs to make the mechanical man work again. ~ Perry Seibert, Rovi
SINOPSIS LENGKAP
Martin Scorsese adaptasi dari pemenang penghargaan baru Brian Selznick, The Invention Hugo Cabret bintang Asa Butterfield, sebagai anak yatim yang tinggal di sebuah stasiun kereta Paris. Dikirim untuk tinggal dengan paman mabuk setelah kematian ayahnya dalam api, Hugo belajar bagaimana untuk angin jam besar yang berjalan di seluruh stasiun. Ketika paman menghilang satu hari, Hugo memutuskan untuk mempertahankan jam sendiri, berharap tidak ada yang akan menangkap dia jongkok di bakat alami station.His untuk teknik membawanya untuk mencuri roda gigi, peralatan, dan item lainnya dari toko mainan pemilik yang mengelola toko di stasiun. Hugo membutuhkan potongan-potongan curian untuk membangun kembali seorang mekanik yang tersisa dalam perawatan sang ayah di museum - restorasi itu seorang ayah dan anak melakukan proyek together.When Georges (Ben Kingsley), orang tua yang menjalankan stand mainan , menangkap ke pencurian, ia mengancam untuk mengubah Hugo ke polisi satunya stasiun (Sacha Baron Cohen, yang membuat setiap usaha untuk mengirim anak yatim di stasiun ke panti asuhan. Tapi Hugo run-in dengan Georges mengarah ke persahabatan dengan anak baptis itu pria tua itu, Isabelle (Chloe Moretz Rahmat), yang tidak sadar memiliki item terakhir Hugo perlu membuat pekerjaan orang mekanik lagi. ~ Perry Seibert, Rovi
Awards
Penghargaan
Awarded by
|
Nominee
|
Category
|
Year
|
Status
|
---|---|---|---|---|
British Academy of Film and Television Arts | Howard Shore | Best Original Music | 2011 | Nominee |
Hollywood Foreign Press Association | Howard Shore | Best Original Score | 2011 | Nominee |
Broadcast Film Critics Association | Howard Shore | Best Score | 2011 | Nominee |
Academy of Motion Picture Arts and Sciences | Howard Shore | Best Original Score | 2011 | Nominee |
British Academy of Film and Television Arts | Jan Archibald | Best Makeup and Hair | 2011 | Nominee |
British Academy of Film and Television Arts | John Midgley | Best Sound | 2011 | Winner |
Academy of Motion Picture Arts and Sciences | John Midgley | Best Sound Mixing | 2011 | Winner |
Academy of Motion Picture Arts and Sciences | John Midgley | Best Sound Mixing | 2011 | Nominee |
Academy of Motion Picture Arts and Sciences | Joss Williams | Best Visual Effects | 2011 | Winner |
British Academy of Film and Television Arts | Joss Williams | Best Special Visual Effects | 2011 | Nominee |
Academy of Motion Picture Arts and Sciences | Joss Williams | Best Visual Effects | 2011 | Nominee |
British Academy of Film and Television Arts | Morag Ross | Best Makeup and Hair | 2011 | Nominee |
Broadcast Film Critics Association | Asa Butterfield | Best Young Actor/Actress | 2011 | Nominee |
British Academy of Film and Television Arts | Philip Stockton | Best Sound | 2011 | Winner |
Academy of Motion Picture Arts and Sciences | Philip Stockton | Best Sound Editing | 2011 | Winner |
Academy of Motion Picture Arts and Sciences | Philip Stockton | Best Sound Editing | 2011 | Nominee |
British Academy of Film and Television Arts | Tom Fleischman | Best Sound | 2011 | Winner |
Academy of Motion Picture Arts and Sciences | Tom Fleischman | Best Sound Mixing | 2011 | Winner |
Academy of Motion Picture Arts and Sciences | Tom Fleischman | Best Sound Mixing | 2011 | Nominee |
Hollywood Foreign Press Association | Martin Scorsese | Best Director | 2011 | Winner |
Boston Society of Film Critics | Martin Scorsese | Best Director | 2011 | Winner |
National Board of Review | Martin Scorsese | Best Director | 2011 | Winner |
L.A. Film Critics Association | Martin Scorsese | Best Director (Runner-up) | 2011 | Winner |
British Academy of Film and Television Arts | Martin Scorsese | Best Director | 2011 | Nominee |
Producers Guild of America | Martin Scorsese | Best Picture | 2011 | Nominee |
Broadcast Film Critics Association | Martin Scorsese | Best Director | 2011 | Nominee |
Detroit Film Critics Society | Martin Scorsese | Best Director | 2011 | Nominee |
National Society of Film Critics | Martin Scorsese | Best Director | 2011 | Nominee |
Directors Guild of America | Martin Scorsese | Outstanding Directorial Achievement | 2011 | Nominee |
Academy of Motion Picture Arts and Sciences | Martin Scorsese | Best Director | 2011 | Nominee |
Academy of Motion Picture Arts and Sciences | Martin Scorsese | Best Picture | 2011 | Nominee |
British Academy of Film and Television Arts | Thelma Schoonmaker | Best Editing | 2011 | Nominee |
Broadcast Film Critics Association | Thelma Schoonmaker | Best Editing | 2011 | Nominee |
Academy of Motion Picture Arts and Sciences | Thelma Schoonmaker | Best Editing | 2011 | Nominee |
American Cinema Editors Guild | Thelma Schoonmaker | Best Edited Feature - Drama | 2011 | Nominee |
Academy of Motion Picture Arts and Sciences | Robert Richardson | Best Cinematography | 2011 | Winner |
British Academy of Film and Television Arts | Robert Richardson | Best Cinematography | 2011 | Nominee |
American Society of Cinematographers | Robert Richardson | Best Cinematography | 2011 | Nominee |
Broadcast Film Critics Association | Robert Richardson | Best Cinematography | 2011 | Nominee |
National Society of Film Critics | Robert Richardson | Best Cinematography | 2011 | Nominee |
Academy of Motion Picture Arts and Sciences | Robert Richardson | Best Cinematography | 2011 | Nominee |
Writers Guild of America | John Logan | Best Adapted Screenplay | 2011 | Nominee |
Broadcast Film Critics Association | John Logan | Best Adapted Screenplay | 2011 | Nominee |
Academy of Motion Picture Arts and Sciences | John Logan | Best Adapted Screenplay | 2011 | Nominee |
British Academy of Film and Television Arts | Sandy Powell | Best Costume Design | 2011 | Nominee |
Broadcast Film Critics Association | Sandy Powell | Best Costume Design | 2011 | Nominee |
Academy of Motion Picture Arts and Sciences | Sandy Powell | Best Costume Design | 2011 | Nominee |
Academy of Motion Picture Arts and Sciences | Rob Legato | Best Visual Effects | 2011 | Winner |
British Academy of Film and Television Arts | Rob Legato | Best Special Visual Effects | 2011 | Nominee |
Academy of Motion Picture Arts and Sciences | Rob Legato | Best Visual Effects | 2011 | Nominee |
Academy of Motion Picture Arts and Sciences | Ben Grossmann | Best Visual Effects | 2011 | Winner |
British Academy of Film and Television Arts | Ben Grossmann | Best Special Visual Effects | 2011 | Nominee |
Academy of Motion Picture Arts and Sciences | Ben Grossmann | Best Visual Effects | 2011 | Nominee |
British Academy of Film and Television Arts | Dante Ferretti | Best Production Design | 2011 | Winner |
L.A. Film Critics Association | Dante Ferretti | Best Production Design | 2011 | Winner |
Art Directors Guild | Dante Ferretti | Best Art Direction in a Period Film | 2011 | Nominee |
Broadcast Film Critics Association | Dante Ferretti | Best Art Direction | 2011 | Nominee |
Academy of Motion Picture Arts and Sciences | Dante Ferretti | Best Art Direction | 2011 | Nominee |
Academy of Motion Picture Arts and Sciences | Alex Henning | Best Visual Effects | 2011 | Winner |
Academy of Motion Picture Arts and Sciences | Alex Henning | Best Visual Effects | 2011 | Nominee |
British Academy of Film and Television Arts | Eugene Gearty | Best Sound | 2011 | Winner |
Academy of Motion Picture Arts and Sciences | Eugene Gearty | Best Sound Editing | 2011 | Winner |
Academy of Motion Picture Arts and Sciences | Eugene Gearty | Best Sound Editing | 2011 | Nominee |
Academy of Motion Picture Arts and Sciences | Francesca Lo Schiavo | Best Art Direction | 2011 | Winner |
British Academy of Film and Television Arts | Francesca Lo Schiavo | Best Production Design | 2011 | Nominee |
Broadcast Film Critics Association | Francesca Lo Schiavo | Best Art Direction | 2011 | Nominee |
Academy of Motion Picture Arts and Sciences | Francesca Lo Schiavo | Best Art Direction | 2011 | Nominee |
Producers Guild of America | Graham King | Best Picture | 2011 | Nominee |
Academy of Motion Picture Arts and Sciences | Graham King | Best Picture | 2011 | Nominee |
No comments:
Post a Comment